Jane Yeh and Stephanie Burt double down on Claude Cahun in “Self-Portrait as a Double Exposure” and “Mondegreens.”
“Here is a question we all must ask: /
if we found ourselves below /
a London underpass on some sunlit /
morning or bright late afternoon /
in the decade after the war”
The formal qualities of the images used in Orange is the New Black‘s title sequence are thematically relevant and evocative.
(C) 2024 Dilettante Army
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