Jane Yeh and Stephanie Burt double down on Claude Cahun in “Self-Portrait as a Double Exposure” and “Mondegreens.”

“Here is a question we all must ask: /
if we found ourselves below /
a London underpass on some sunlit /
morning or bright late afternoon /
in the decade after the war”

The formal qualities of the images used in Orange is the New Black‘s title sequence are thematically relevant and evocative.