In “Promenade,” this issue’s ekphrasis, Jameson Fitzpatrick responds to one of Chris Antemann’s porcelain sculptures, Boudoir (2011), in a poem that meditates on the ambiguities of misaligned desires and the problems of aesthetics.
Jane Yeh and Stephanie Burt double down on Claude Cahun in “Self-Portrait as a Double Exposure” and “Mondegreens.”
A spectre is haunting ordinary life—the spectre of institutional decay.
(C) 2023 Dilettante Army
Get updates from us a few times a year.
Site designed and developed by Social Ink