Girlhood and nonbinariness can coexist within the same person. Joely Fitch consults their personal archive for evidence.

In “Promenade,” this issue’s ekphrasis, Jameson Fitzpatrick responds to one of Chris Antemann’s porcelain sculptures, Boudoir (2011), in a poem that meditates on the ambiguities of misaligned desires and the problems of aesthetics.

The body as narrative, without boundaries