A letter from the editors.

For six decades, fanatical Andelinians all around the world have preached—and monetized—a self-help doctrine of uxorial mortification, self-infantilization, and husband-worship. Sophie Lewis explains.

Jina B. Kim asks: Why does disability crop up as the antithesis of romance, desire, and long-term fulfillment—as something to perhaps be endured in the name of love, but never anything that might re-shape how we approach love and romance in the first place?

Kelly Pendergrast on Khloé Kardashian's massive stage set of a home pantry, grids, spreadsheets, and the wife as home manager.

Kendall deBoer writes what may be the first critical history of wedding cake toppers, tying frilly white doves and normative bride-and-groom couples to feminist art and DIY craft practices that offer opportunities for creativity and fantasy.

Danielle Drori tells the story of her divorce through dream interpretation, pouring pyschoanalytic theory into a stream of the unconscious.

Lily Sparks’s scathing takedown of the fallen wife guy uncovers the true transgression of the Instagram husband writ large: his reckless destruction of his once-profitable image.

In conversation with Dilettante Army, artist Chloë Bass talks about her work on intimacy and its growing scales of partnership, group, and institution.