Sara Clugage, Matilda Moors, and Maike Statz bite into the architectural elements of vampire clubs—the threshold, the bar, and the stage—to stake a claim for shifting relationality through transgression.

Banu Çiçek Tülü’s video essay explores Kına gecesi (henna night), a party for the bride on the night before her wedding, through the spaces that remain unmarked and questioning.

Shannon Stratton historicizes Party as Form through the hospitality work of arts administrators and draws studio practice out to play at the costume party.