In “Promenade,” this issue’s ekphrasis, Jameson Fitzpatrick responds to one of Chris Antemann’s porcelain sculptures, Boudoir (2011), in a poem that meditates on the ambiguities of misaligned desires and the problems of aesthetics.

Abigail Merrick’s “wraithcore” describes what it’s like to be “nocturnal or insomniac, depressive or moody, predisposed towards isolating oneself socially, to feeling marginal or overlooked, not quite believed or not quite taken seriously as a subject, or more specifically a subject with agency.”

Call for Submissions for Dilettante Army’s Winter 2022 issue, “Weak Aesthetics.”