Banu Çiçek Tülü’s video essay explores Kına gecesi (henna night), a party for the bride on the night before her wedding, through the spaces that remain unmarked and questioning.

Shannon Stratton historicizes Party as Form through the hospitality work of arts administrators and draws studio practice out to play at the costume party.

Leo Felipe translates an excerpt from his book A Universal History of the Afterparty, calling up Brazil’s vibrant, ketamine-soaked heterotopias as immanent critique.